THE PORTRAIT OF WOMEN ENGLISH LANGUAGE TEACHER: FOR A DECOLONIAL READING OF MOTION PICTURE
DOI:
https://doi.org/10.18817/rlj.v5i2.2680Abstract
The motion picture represents a technique, industry, art, but also is a discourse, and as such, disseminate cultural and ideological values those sho produce it (DALTON, 2010; CANN, 2015). Discourse as social practice (FAIRCLOUGH, 2001) and Critical Pedagogy are the background to discussion about white teacher teaching in peripheral schools in motion pictures, Dangerous Mind (1995) and Freedom Writers (2007). The aim of this study is to discuss based on the portrait of women English language tearcher in motion picture the ideals colonialist education. The outcomes indicate the non-neutrality of cinematic discourse in sense of perpetuating stereotypes of white savior teachers, who act at the height of compassion, they lead black and latin students from periphery on the path of knowledge and redemption.
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Copyright (c) 2021 Ana Paula Domingos Baladeli, Rinaldo Vitor da Costa

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